Fishing in Union Station

I first moved away from home when I was seventeen years old. It wasn’t due to any poor living situation. It wasn’t forced on me. I wasn’t thrown out by my parents or anything of the sort. It was a completely voluntary decision based on ludicrous teenage romance and a desire for some modicum of independence. I left the comfort of my family home in Wisconsin to live in a small town outside of the Twin Cities. It wasn’t a great decision, but I stand by it. It didn’t go perfectly, it ended in failure, and I wasn’t nearly as ready for independence as I thought I was, but I did learn a lot about myself. I found a job. I worked hard. Eventually I ended up back in Wisconsin a better man than I was when I left, but with the full knowledge that I was not ready for life on my own quite yet.

I lived with my family a couple years longer. My grandmother passed away shortly after I left Wisconsin the first time and my grandfather was diagnosed with colon cancer shortly after. He’d had cancer of some other variety before that and pulled through it. He’d had a stroke and recovered some years before that, too. He’d been through a lot, but it was clear the cancer was going to get him this time around, so my parents moved in with him to take care of him until he passed away. I moved into the basement of my grandparents’ house in the meantime. The basement was nice. It was furnished and carpeted. I had a refrigerator and a stove. It made a good apartment. I paid a little rent. It was comforting and I could separate myself from the depressing goings-on upstairs when I was down there.

I had a job. I worked. I lived. I never thought about what my life was or where it was going. I did a good thing for myself, moving out to Minnesota, but I was terrified of just repeating that forever. Go out into the world, realize I’m not ready, end up crawling back home with my tail between my legs. I didn’t want to do that again, so I didn’t do anything particularly noteworthy. I worked fourty, fifty hour weeks. I came home and played video games or watched television.

Then, shortly after I turned 21, my grandfather passed away. We had to sell his home, because we couldn’t afford to buy it ourselves. My parents ended up finding an apartment for themselves and my little sister, but it became clear that there wasn’t room for me. They didn’t intend for things to play out that way, it was just what life dealt them and I hadn’t exactly put much effort into ensuring a place for myself anywhere at all. I probably could have afforded a small apartment for myself at the time, but I’d never actually rented a place on my own before, so I didn’t even know where to begin. I just resigned myself to having nowhere to go.

A pair of good friends of mine offered me their couch temporarily. In Michigan. I took them up on it. I loaded all of my belongings into one big box. One overnight Greyhound later, I was sleeping on their couch. I treated my time in Michigan more like a vacation than I should have. I did have some freelance writing that came with me from Wisconsin that brought in a little money, but I never treated my time there as seriously as I should have. I used my time there as an opportunity to just stop and think about what I was doing for once. I’m not sure if my friends realize how important my time there was to me. When I ended up leaving, I felt terrible — they’d offered me hospitality so I could get on my feet again. To them, it probably looked like I’d just abused their kindness for a few months and then ran back to the same silly situation they’d dragged me out of to begin with.

When I decided to depart Michigan for Wisconsin again, I loaded all of my things right back into that cardboard box. My friend, bless her heart, helped me carry that horrifically heavy thing down the street, onto a city bus, down another block, then into the Greyhound/Amtrak station. Do note that this box had my PC tower, monitor, and peripherals in it in addition to all of my clothes. It was not light.

She sat with me in the station. I had every intention of traveling via Greyhound. I’d been taking Greyhound for years at that point, commuting between Wisconsin and Minnesota. Greyhound was how I’d gotten to Michigan, so naturally I’d take the same method back. Except I didn’t. On a whim, I walked up to the Amtrak counter and bought a train ticket instead. I’d never taken a train.

“Why are you taking the train?” She asked, thinking me insane. “Adventure,” I replied, confirming my insanity.

So I got on the train. The train had far more stops than a bus did, which was surprising to me. You’d think it would be the other way around, but I guess not. The day was mind-numbingly boring, I didn’t have an iPhone or laptop  and I didn’t even have the foresight to buy a book for the trip. It’s all a hazy blur until my train reached Chicago. Union Station. I didn’t realize trains back to Milwaukee had to stop at Union Station. Greyhound didn’t. I had never been through Union Station and the entire experience was perfectly terrifying. It was massive and confusing and nobody seemed to understand the words out of my mouth when I asked, “Where do I find the connecting train to Milwaukee?”

Eventually, I found my terminal. Desperately pleading with bystanders for help amounted to nothing, but I figured out where to go once I finally bothered to look up from the ground and use my eyes. I wasn’t lost. I wouldn’t be stranded in downtown Chicago. I wouldn’t need to call my parents and beg them to drive south an hour to find me. I hadn’t made a terrible mistake. I just needed to stop expecting someone to rescue me. If I was old enough to end up in Union Station of my own accord, I was old enough to find my train.

I did find my terminal. I sat down in a very uncomfortable chair and set my box of things down beside me. My fingers had gone raw and started to peel from carrying the shockingly sturdy cardboard all over Union Station, but I was on my way home, so I didn’t care about that anymore.

My terminal had a little play area in it for children. Just the basics. A bright yellow slide no taller than the chair I sat in. A plastic tree house without the tree. That sort of thing. There were a few kids in there. It was late and there are better ways to travel between Chicago and Milwaukee so the terminal wasn’t the most populated places ever, but it wasn’t abandoned, either. There were kids there and they were playing and doing whatever it is kids that age do. There was one little girl that wouldn’t join in with the rest of them, though. She just sat beside her mom and watched them. No smiles. No laughter.

She was very young, seven or eight years old at the most, but probably younger. She hopped off of her seat and walked across the terminal. I don’t know why she chose me out of everyone there, I don’t make a habit of drawing attention to myself. She produced a deck of cards and held it out to me. “Go fish?” She asked. The words didn’t come easily to her, but she asked them anyway. Her mother watched me very nervously from across the terminal. I was a very large man who probably looked terribly agitated after running around the entirety of Union Station. I’m sure if your daughter with Downs Syndrome ran off to invite a scary looking man to a game of cards, you would be nervous, too.

I’d like to say I had a very kind, intelligent response to the girl’s invitation, but I made some sort of vague eh? sound instead. Her mother was not reassured. The girl asked, as politely as she could manage, “Want to play Go Fish, please?”

There were only ten or fifteen minutes left until my train home would be boarding, but I couldn’t turn her away. So I got out of my chair, turned it into a makeshift table, and we sat on either side of it playing Go Fish. She cheated a little bit. I let her. “Do you have any twos?” “No.” “I meant fours.” “Oh, sure, I have a four. Here you go.”

My boarding call rang out over the Union Station speakers before we could finish our game. I broke her the news as softly as I could, but there is no good way to tell a little girl that it’s time for you to leave when she wishes otherwise. She didn’t fully understand what I meant when I told her I had to leave. The game wasn’t over, how could I stop playing? I couldn’t just stand up and abandon her, though. “My train is here. I need to go home now. Why don’t we clean up these cards?” I explained again. She asked, “Do you have an eight?”

I am not a crying man, but I came close just then. She was sweet and wonderful and just wanted to play. How could I ruin that? Was there a way I could make this girl understand through my words? Probably not, I decided. She would do what she wanted to do and that wasn’t her fault at all. She simply didn’t understand. She couldn’t understand. Games can’t end before they’re over. So I stopped trying to explain to her. “We need to clean up now,” I told her. “You won.”

I laid my cards down. So did she. Then, with very careful, deliberate motions, she started picking up her cards one by one and putting them into her pile. Her cards were  very important to her. I didn’t know why, but I didn’t need to know. I helped her clean up our game, placing each card in her pile very carefully, knowing very well that my train could be pulling away without me at any moment. Clearly this girl and her mother weren’t taking the same train I was, because her mother didn’t seem to be in any particular rush. I could have asked her mom for help, but I didn’t. I helped the girl put away her cards, said goodbye, and walked her to her mother.

I didn’t miss my train, but I came close. I think that even if I had missed my train, I wouldn’t have been upset. I wouldn’t have missed it because I was lost and alone in Chicago. I would have missed it because I made the choice to do so. That makes all the difference in the world.

I ended up back in Milwaukee, yes, but I didn’t do it crawling with my tail between my legs — I did it with my fingers torn and bleeding from that damn box. I found a job again. I kept up with my freelance work, which transformed into an actual career. I have an apartment. My life is mine and while I appreciate having friends and family, I no longer expect them to rescue me all the time — and I don’t need the rescuing anymore.

I don’t entirely understand the significance of that game of Go Fish, but I think about it a lot. That game of Go Fish is the moment when I stopped thinking of myself as a child. It’s when I realized I needed to make choices. Things wouldn’t simply fall in my lap. Life doesn’t live itself. All of the things I’ve done to improve my life in the last few years, I link them back to that game of Go Fish.

Why? Who knows. Maybe there’s some metaphor hidden away in that game that I haven’t found yet, but it’s more likely it was just a moment of simple peace after a very long stretch of depression and uncertainty. The calm makes fonder memories than the storm.

1 Comment

The charcoal man

I’m not much of a dreams kind of guy. I have them, but I rarely remember them and put little to no effort into documenting them. There have been a few recurring elements to my dreams over my lifetime though, and those stick with me pretty well. I apply no particular meaning to them, but the imagery is something I can’t shake.

One such recurring element is an idol or statuette. Ever since I was a kid, maybe 11 or 12, I would occassionally (once or twice a year) have an otherwise completely mundane dream interrupted. Someone, not always me, would notice a small statue reminiscent of a man built out of a substance I can only describe as greasy charcoal. It’s a dark, beckoning thing, and it would inevitably be broken. Smashed, thrown, dropped, whatever — it would end up broken by someone, usually intentionally. After it breaks, the statue would shatter into small cubes made of the same substance, floating in the air in ring formation. Touching either the statue or cubes would leave dark, black stains on your skin. Avoiding contact with these cubes, for some reason, was usually a matter of extreme importance. It would drive us into a panic at times. I remember one night, in this dream, I grabbed my sister away from these stones, looked her in the eyes and said very clearly, “Don’t touch them. Don’t ever touch them.”

Afterwards, my perception of human faces in my dreams ceases to function properly. Nobody looks like they should. Faces lose features, gain new ones, or completely lose all human proportions. I don’t mean that people become animals, I mean someone’s face pinches in half. I mean their forehead juts out a foot from their face. I mean their teeth become spikes of bone that pierce through their skulls.

I imagine this whole thing is my mind attempting to process what amounts to garbage data in the part of my brain that comprehends human faces and expression, so I attach no significant weight to it at all, but it does interest me. The mind creates all sorts of strange symbols to process loose thoughts and data while you dream, but these long-term, recurring symbols are so much more fascinating to me. What does the charcoal man signify to my unconscious mind? Is it a warning, that I am about to be subjected to something the conscious mind hates? Or is it completely meaningless? It’s certainly no omen or sign from beyond, I know that much.

It is true though that there are few things the human mind hates more than distorted human faces. It isn’t anger, it isn’t fear, it’s a base biological reaction to a thing that should not be. These faces constructed of garbage data or misfiring nerves, the mind knows they shouldn’t exist. It knows that a real human being should not have gaping holes where their eyes belong. It knows where your nose should and should not be. When things arent right, the mind rejects it. Somehow, for some reason, I’m given warning when it’s about to happen in the form of a greasy statuette of coal.

Even more fascinating to me is that these dreams have become progressively more lucid. Like I said, I put no effort into remembering, documenting, or controlling my dreams at all. But when I see the charcoal man, something changes. I can look away. I can stop myself (but not others) from breaking it. These dreams didn’t used to be that way, but my ability to manipulate them has grown with each time Ive seen that statue. Again, I see no deeper meaning in this, it’s just a game the mind plays.

I don’t consider this a nightmare. I don’t fear it, it doesn’t prevent me from sleeping, it offers no ill effects. It just sticks with me the same way it stains the skin.

, ,

1 Comment

Hey Alex, whatcha readin’? #2

With all of the projects I have going on between WoW Insider, Nitpixels and my other writing, I haven’t had as much free time for reading as I’d like. I’ve also been watching more television since Game of Thrones started its HBO run. Work-related things are calming down a little and Game of Thrones has wrapped up its first season, so it’s back to the Kindle.

Codex Alera

In my last “whatcha readin’?” post, I mentioned that I was just starting in on Codex Alera, Jim Butcher’s more traditional fantasy series. I mentioned that it didn’t grab me, and that continued to be true. I didn’t actually finish the first book. In fact, it contributed to me falling off the reading wagon — it had so little grip on me that I spent less and less time reading, until I didn’t want to pick up my Kindle at all. Maybe the series gets better after Furies of Calderon, but if I can’t get past the first book in the series, it’s very hard to find out if I’ll enjoy the rest. Maybe I’ll read a summary of #1 on a wiki and try out #2 one day, but that’s so far on the backburner that that day may never come.

A Song of Ice and Fire

I went into this series knowing I was in for disaster. One of my dark secrets is that I don’t really like Lord of the Rings. I like it in theory and I enjoy the base story and I appreciate it for what it is, but I don’t like to read things where I have to chew through every thick page to get to the next one. I want to be urged onwards constantly, and these massive fantasy tomes do not necessarily do that — that’s not their goal. They create something much larger, much more expansive. Still, I enjoyed watching Game of Thrones so I thought I would start in on Game of Thrones the novel. I read part of it, and I will continue to read it, but it isn’t something I’m going to be able to read cover-to-cover without any pauses. I read a good chunk of it and I’m taking a break by going back to an old friend.

The Tawny Man Trilogy

Robin Hobb’s The Farseer Trilogy was on my list last time — it was a trilogy that, despite its slow beginnings, I really came to enjoy, full of characters I really loved. After being in a reading slump for a few months, going back to that world was exactly what I needed. The first book in the trilogy, Fool’s Errand, picks up 15 years after Assassin’s Apprentice. Fool’s Errand is what I have in progress right now, and right within the first few pages it immerses you in the Six Duchies again. It’s like a homecoming. It feels good.

What next?

After I’ve wrapped up the Tawny Man Trilogy, I’ll go back and read a little more Game of Thrones. Ghost Story, the latest Dresden Files novel, releases on July 26th — top of my list, for sure. After those, who knows? We’ll see what time brings.

, , , , , , , ,

1 Comment

Oaths — Excerpt 1

A few weeks ago I posted the beginning of a thing — this post a continuation of a thing, tentatively titled Oaths. The title will change if I ever publish this because Oaths just doesn’t roll off the tongue very well, but it’s apt for now. I’ve decided to post excerpts of what I already have written, in the hopes of soliciting some feedback. I’ve already done some heavy edits on what I’ll be posting, but it’s far from a finished product. I, personally, benefit greatly from people giving me their thoughts on what I’m working on, even if they ultimately tell me that it’s shit. Knowing the specifics of why someone thinks it’s shit is a big help. “Why didn’t this work for them? Is it something I should fix, or is it just not clicking with this particular person?”

I think it also might be fun to provide a little information on my mindset when I was writing a particular piece. Maybe useful to all of you, definitely useful to me — I can look back down the road and see where I was coming from. So here is that for this part!

Forethoughts

This excerpt comes immediately after what I posted here previously. What I posted before is what I now consider the prologue. Originally the story kicked off right from there and we saw a child’s journey away from home to find her place amongst strangers in a place she’s never seen before, a place so massively different from her home that she needs to relearn how to live, essentially. Ultimately I ended up not being happy with that. That’s not the sort of person I am, writer or reader. One of my criticisms of The Farseer Trilogy was that the first half of the first book was completely dedicated to setting up the world Fitz lives in, and that wasn’t terribly exciting. Informative, yes. Exciting, no. I realized that I was repeating exactly what I didn’t like about those massive fantasy tomes: too much exposition for too long.

I scrapped all of that, kept the initial scene as a prologue, and restarted the story with the child already a young adult, living in this new world and accustomed to its ways. Essentially: she’s the same brave little girl, but she’s grown up, been through boot, and been exposed to What Lurks Below(tm).

Enjoy!

Read the rest of this entry »

1 Comment

Hey Alex, whatcha readin’?

I picked up a Kindle quite awhile ago and I realized I’ve never really mentioned what I’ve been reading on it. Considering this blog exists, it seems like something I should do, no? I’m not going to review any of these titles, just yap about them very briefly.

The Dresden Files

I eased myself back into hobby reading by picking up a fun, simple series — Jim Butcher’s The Dresden Files. It’s a series about a private investigator. Also, he’s a wizard. Wikipedia’s synopsis:

The Dresden Files is a series of fantasy/mystery novels written by Jim Butcher. He provides a first person narrative of each story from the point of view of the main character, private investigator and wizard Harry Dresden, as he recounts investigations into supernatural disturbances in modern-day Chicago. Butcher’s original proposed title for the first novel was “Semiautomagic”, which sums up the series’ balance of fantasy and hard-boiled detective fiction.

The series is an easy read and absolutely a cheesy romp — there’s plenty of gratuitous violence and sexual tension with a ludicrously powerful main character, but I’m cool with it. It’s fun and forgetting how to appreciate simple fun is one of the worst things you can do to yourself.

The Farseer Trilogy

Robin Hobb’s Farseer Trilogy is a great fantasy series that starts off very slowly. It’s a rich setting and the trilogy as a whole was made better by it, but the first half of the first novel is all scene-setting. You’re given the background of the kingdom involved and are given an overview of the main character’s growing years, from being a small bastard child left in the care of his father’s right hand man, up to him being a teenage apprentice to the royal assassin. I have rather severe untreated ADD. My attention span and ability to focus is complete shit and it’s something I struggle with quite a bit. Muscling through the first half of the first novel was hard. Not only is my attention span shit, but there was also nothing reaching out and grabbing me and forcing me to focus — if books had a voice, the first half of Assassin’s Apprentice would have sounded entirely monotone to me. It gets better.

Once the series got going, there was no stopping the events in motion. I loved the series — and I hated the main character. You want to cheer for him, but he’s constantly fucking everything up for himself and everybody he comes in contact with. You hate him, but you still want him to win. It was an interesting feeling.

The Tawny Man Trilogy is a followup to The Farseer Trilogy, taking place fifteen(ish) years later. I haven’t read it yet, but it’s on my list.

Codex Alera

After wrapping up the most recent addition to The Dresden Files, I was curious how Jim Butcher handled a pure fantasy setting.  Codex Alera is his attempt at that — I’m currently reading the first novel in the series, Furies of Calderon. It’s … okay. It is far too early to say whether I like it or not, but it hasn’t grabbed me. It’s simply not interesting. I’m going to give Butcher the benefit of the doubt though, because I do love Dresden and early Dresden wasn’t the greatest material, either. Based purely on faith to the author, I’ll probably give it until book two to grab my attention.

Have any of you read this series? Does it get better?

What next?

After Codex Alera, I’ll either move onto The Tawny Man Trilogy or go back to the Vlad Taltos series. A good friend of mine recommended them to me a few years back and I very much enjoyed them, but for some reason I stopped reading right in the middle of Dzur and never picked the series up again. Considering the recent release of Tiassa, it seems like a good time to get back into them. Though I hear that reading Phoenix Guards before Tiassa is highly recommended — I haven’t touched those yet either. So perhaps Dzur, Jhegaala, Iorich, Phoenix Guards, then Tiassa? We’ll see.

, , , , , , , , , , , , ,

No Comments